Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no more have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, which is real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.
Origami facile
Kent du Pre has done such
work on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, however the most extreme form occurs in Paper Miracle with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course strongly related to paper cutting. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive thickness. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Origami fleur
Uchiyama Avion En Papier Facile à Faire is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to give enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other Avion En Papier Simple à Faire to avoid the complexities of a model achieved solely by folding.
Fleur origami
Within a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modeling particularly if foil has already been used and one can be certain of the material remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modeling following the folding The thought of wetting the paper is apparently Japanese in origin was demonstrated Bateau En Papier Qui Flotte by Yoshizawa at a Convention in Luton. Another method of wet moulding using paste in the preparation is mentioned by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds up tend to be smooth and that we are approaching sculpture rather than Origami.
Bateau en papier
The associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer technique is exploited for their own sake with little or no folding included. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of document each folded to represent some part of the animal and then brought with each other. The theory may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have came out for folding a dragon from a amount of squares of different sizes.
Comment faire un avion en papier
Inside the most extreme combinations Bateau De Papier Chanson Paroles of water and papers we are, naturally , in the world of papier-mache which is plainly an open-ended art. DecoratingThe most basic step from the single color is one side female and one white or plain. A great package of modern Origami exploits this colour difference. A delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a unique model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then ribbon and finally string.
Fleur en papier
The cutting out of holes etc. to indicate eyes etc is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this Origami Star Paper Strips kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and evidently here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its most basic form we may use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. Probably the most unusual form of 'display mechanics' that I actually am acquainted with is by Toyoaki Kawai.